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  • Essays and observations on books, culture, and life in the city of lights, by Lauren Elkin, a writer, reader, and native New Yorker.

    More about the blog here
    My Paris: where to eat, drink, and shop in les Paris de Maitresse
    Version française: MaîtresseVF

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May 07, 2008

And the results are in:

Ecard_2

(E-card thanks to the lovely Sophie!)

...I passed my orals with distinction!

My sincere thanks to everyone, online and off-, for their support, understanding, and encouragement. 

April 30, 2008

The New York Times is so in sync with my life it's scary [Open Caption]

Orals3

...and this blog is on hiatus for the next week.  Back after the 6th!

April 25, 2008

Pucker up, buttercup

... my latest (and penultimate?) post for Gridskipper is up here, and it's a guide to Paris's best make-out bars. Enjoy.

(apparently GoogleMaps is going through some technical difficulties-- so if the map isn't loading on your visit, check back later)

vendredi, poésie

This is a longer one than I usually post, but stay with it-- just listen to the language of it...

"Ode to a Nightingale," John Keats (1819)

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness,--
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage, that hath been
Cooled a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provencal song, and sun-burnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Continue reading "vendredi, poésie" »

April 22, 2008

Tuesday links

The holy-crap-my-orals-are-two-weeks-from-today edition.

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More on Keith Gessen, from the LA Times: "Young [male] Authors Embrace the Thought Process."

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"Elite" British writers and scholars get pissed off that there are so many students using the British Library that there are no seats for them and they have to wait on line for a really, really long time. In the cold.

When you put it that way, it does sound really elitist. Students should be able to use libraries! Right? Yes, but they should not be using research libraries to do their biology homework and hang out with their friends. That 's the key distinction that should be made here.

Funny timing: just yesterday I grumbled and groused as I stood online for an hour to get into the library at the Pomidou.  I had no alternative-- the books I needed they don't have at the BNF. Or anywhere else in Paris.

My suggestion is that the professional writers, scholars, and researchers get special passes to bypass lines and to receive their books more quickly, and perhaps that a separate section be created for professionals, as is done at the BNF.

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The Complete Review gives last year's French bestseller The Elegance of the Hedgehog a B.  (L'Elégance de l'hérisson sounds so much more-- elegant-- in French, doesn't it?)

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Some poor sot listed Roppongi as his dream destination in Gridskipper's contest to win a Toyota Corolla.  And I bought a ticket today to go there in May. I would almost say I'd switch with him, except I really do want to see my boyfriend, even if he does live in a gaijin ghetto of neon, cement, and glass shopping malls guarded by alarmingly large spiders.

April 21, 2008

keeping my nose clean

Ned_flanders I knew there was a very good reason I never hung around with the fast crowd in high school, never did anything illegal or got into any serious trouble (the worst thing I did was cut gym. All the time.).

I wasn't planning on ever running for government office, and I didn't buy empty authoritarian threats that if I messed up it would go on my permanent record, but I always stayed out of trouble out of basic common sense and a large helping of cowardice. 

And today I have received vindication for being such a goody-two-shoes all my life: I am applying for French citizenship, and part of the process requires justification from the FBI that I have never been in any trouble with the law.  Today, that certification arrived in the mail, in the form of a stamp reading "No arrest record."

Gosh, it feel so darn good to be clean. 

April 19, 2008

saddle-up, it's saturday

"If you can't annoy somebody, there's little point in writing," said Kingsley Amis. Words to live by. From an LA Times piece on the declining role of the critic in American discourse. Yes, another one. This time it's not just book criticism which is on the wane-- film critics are seeing their jobs slimmed down, and music critics aren't allowed to say anything bad about anyone!

"If one more person tells me that my book The Stone Gods is science fiction, presumably because it is set in the future and has a robot in it, I will turn myself into a dalek." Jeanette Winterson on genre fiction and the crime novel. Really insightful and not too long, don't miss it. [Via]

"He deserves this homage," said Abdou Diouf this week, regarding the speculation that the recently deceased Aimé Césaire, poet and central figure of the négritude movement, will be interred in the Panthéon. At 6 pm tonight a vigil will be held for Césaire in the Place de la Sorbonne, the apparent birthplace of négritude.

Le regard de Zucca, plein de talent sans doute, ne peut pas être le nôtre aujourd’hui. Le travail d’explication sur ces images est insuffisant“ ["Zucca's perspective, talented as he is, cannot be ours today. The contextualization of these images is insufficient."] So says Christophe Girard, Delanoe's chargé de culture, on the decision to remove the posters around Paris advertising the very controversial Zucca exposition, "Les Parisiens sous l'Occupation," currently on view at the Bibliothèque Historique de la Ville de Paris. Pierre Assouline has the story here.

April 18, 2008

Nothing is better, after a long day in the trenches of academe, than unwinding with a bag of brioche and a few episodes of The Daily Show.

This segment gets good right around the 02:34 mark.

"Is she running for president or pledging.?!!"

Oh, Jon, how you do light my fire with your rapier wit! If I'm mixing my metaphors it's only because the swooning is preventing me from thinking clearly...

April 16, 2008

Wednesday links

I came back from London on Monday rather than Sunday and so my week seems to be off by a day. Whoops. Here are the links anyway.

There is something appropriate, or paradoxical, depending on your point of view, about the author of the Michel Polnareff hit "On ira tous au Paradis" being elected an Immortal, a member of the Académie Française.  The fact that Jean-Loup Dabadie is a saltimbanque, or popular entertainer (I love the term saltimbanque, makes him sound like he should be a figure in a Picasso of the rose period) adds an extra frisson of interest to the predictable hand-wringing about the irrelevance of the Académie.

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And in other "aren't the French wacky' news, a new French bill to punish websites that encourage eating disorders (apparently such sites do exist) has reignited the debate over models being too skinny.  I see the connection... but it's a bit of a stretch. It seems like two fairly distinct, albeit distantly related, issues to me.  Apparently the language of the law is really vague so it probably won't even get passed. 

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I'm kind of interested to read Keith Gessen's book All the Sad Young Literary Men, an excerpt of which can be read at Nextbook.  My admiration for N+1 verges on the fanatic, so relieved am I that there are people in my generation who are trying to keep the level of discourse at a Sontagian high, in a way that is self-aware without being overly self-conscious.  This relief probably blinds me to the faults of the journal and its hangers-on, but so be it. (That doesn't mean I liked Benjamin Kunkel's novel, Indecision; I felt lukewarm about it.  My guess is the strain in N+1 that warms me likely emanates from Gessen and Marco Roth.)

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Judging from James Wood's review of a new novel called Pilcrow in the LRB, there is something interesting going on with its author, Adam Mars-Jones, that bears further reading.  Wood says that "Generally, Mars-Jones’s prose is exceptionally nimble, dry, humorously restrained, very English, with a little Nabokovian velvet too." Sounds like it's worth a read.

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Great list of must-have works of criticism from Richard B. Woodward over at Critical Mass. Look particularly for the bits about Nabokov (the ones he's talking about are the volumes I just added to my library this past week). 

April 15, 2008

Paris to London and back

I'm back in town after a long weekend in London visiting relatives, and have much to tell of what I saw in that magical place, from Sissinghurst Castle, where I swooned before Vita Sackville-West's library, to the Tate Modern's Duchamp/Man Ray/Picabia exhibit, where my cousin, an artist, had a religious experience in front of "Nude Descending a Staircase."

I would also like to tell you about Anne Marsella's whimsical, fabulous book, Remedy, from which she will read tonight at the Village Voice (7 pm sharp, duckies!). It's set in a Paris that will make you feel like you're seeing in technicolor for the first time.

But I must read a pile of library books that are due back this afternoon, so storytime will have to wait til tomorrow or the day after...

I wrote it, not you

  • All of the text and most of the photographs on this blog are the exclusive property of Lauren Elkin, (c) 2004-2008.
  • Creative Commons License
    Ce/tte création est mis/e à disposition sous un contrat Creative Commons.

Coin poésie

  • Elizabeth Barrett Browning, from "Sonnets from the Portuguese"
  • How do I love thee? Let me count the ways.
  • I love thee to the depth and breadth and height
  • My soul can reach, when feeling out of sight
  • For the ends of Being and ideal Grace.
  • I love thee to the level of everyday's
  • Most quiet need, by sun and candle-light.
  • I love thee freely, as men strive for Right;
  • I love thee purely, as they turn from Praise.
  • I love thee with the passion put to use
  • In my old griefs, and with my childhood's faith.
  • I love thee with a love I seemed to lose
  • With my lost saints--I love thee with the breadth,
  • Smiles, tears, of all my life!--and, if God choose,
  • I shall but love thee better after death.
  • (1850)

Coins poésie du passé

  • Marilyn Hacker, "April Couplets"
  • Mild Sky of a day which may or may not be forgotten
  • as days of a life, lives themselves, are forgotten.
  • Tenacious ivy crawls from a plastic pot in
  • a window-box which the early rain's forgotten
  • Nocturnal narrative's coherent plot in
  • the sleeper's mind disconnects, and the dream's forgotten
  • textures, flavors, burlap, honey, satin
  • systematically derange, dissolve: forgotten
  • This morning's crisp half-loaf in which I've bitten
  • a crescent lies near coffee dregs, forgotten.
  • On a lined page in front of me are written
  • haphazard words grasping what I've forgotten
  • A letter will be answered today or not. In
  • the gap, what it might have said could be forgotten.
  • A three year-old picked up w dropped red button
  • and cried for a lost rag doll not quite forgotten.
  • The sidewalk glistened in the Marais, Manhattan
  • or a Balkan town whose vowels howl unforgotten
  • chronicles of neighbors at war, ill met in
  • each market-place, blood mixed, but no slur forgotten
  • What key turns in the lock, who will be let in
  • to the bright room of what is not forgotten?
  • The scribe turns hacker: DOS displaces Latin:
  • Exiles hoard both, the plain speech of peace forgotten
  • William Carlos Williams, "Danse Russe"
  • If I when my wife is sleeping
  • and the baby and Kathleen
  • are sleeping
  • and the sun is a flame-white disc
  • in silken mists
  • above shining trees,--
  • if I in my north room
  • dance naked, grotesquely
  • before my mirror
  • waving my shirt round my head
  • and singing softly to myself:
  • "I am lonely, lonely.
  • I was born to be lonely,
  • I am best so!"
  • If I admire my arms, my face,
  • my shoulders, flanks, buttocks
  • again the yellow drawn shades,--
  • Who shall say I am not
  • the happy genius of my household?
  • [c. 1917]